
Although I love doing hand lettering, I am lousy at calligraphy. Kirk bought me a book and supplies for my birthday last year, and try as I might, I have a really hard time controlling the flow of ink. Maybe I'm just too impatient. In any case, my little experience with this medium has only made me that much more impressed with the talented calligraphers of the world such as Anna Beckman. Keep reading to learn more about her work.

1) How did you become a calligrapher?
I have always enjoyed handwriting and typography. Several years ago I decided to pursue my fondness for the written word by taking a class at the Society of Scribes in NYC. I loved the process: the pens, nibs, inks, and the beauty of what could be achieved with some practice! The history of fine writing extends from medieval manuscripts to nineteenth century “business writing” up to the wedding calligraphy of today. There’s always something beautiful to look into and admire. I have started up a little lettering business. I want to distinguish myself from other calligraphers by deliberately creating an “offbeat” style – not a traditional look for my work.
I worked as a craft editor at Martha Stewart’s Kids magazine for 5 years. My projects there had a graphic but whimsical feel with elements like postage stamps and papier-mâché. I’ve been trying to mix up these two parts – the practiced calligraphy and a bolder, looser illustrative technique.

2) Where do you find inspiration?
I have 3 walls in my studio devoted entirely to inspiration boards. I collect all kinds of ephemera and clippings – text from magazines, old business cards I found in Mexico, etc… I am also a devotee of the picture collection at the New York Public Library. They have a room full of files of images – anything you can imagine – they have pictures of it. In the past months I’ve taken out images of handmade toys, unicorns, pastries, lions, airplanes, and children’s book illustrations. I color copy my favorites and pin them up.
There is an album cover I can’t stop looking at – it’s the cover to New Order’s Power, Corruption, and Lies. It’s a close-up of a beautiful romantic painting called a “Basket of Roses” by Henri Fantin-Latour combined with a bar of computer-age color-coded typography (designed by art director Peter Saville).

3) Tell us about a recent project.
I’ve been working for years as a freelance prop stylist – but I’m trying to concentrate on making art and developing my illustration and lettering. The most recent project was for the holidays – I designed 3 postcards mixing calligraphy and collage (see below).

4) Is there anything else we should know about you?
I have a bit of an obsession with English village life – you know: tea, vicars, gardens, and murder mysterys. I can’t stop watching Agatha Christie mysteries on Netflix. Everyone always seems to be drinking sherry – which I have never had - but I mean to get my hands on some soon. Cheers! Happy Holidays!

Thanks Anna!
Her links:
ANNA'S WEBSITE: www.annabeckman.com
HER AGENCY'S WEBSITE: http://www.patbatesandassociates.com/